Jon Torres, R.I.P.

Jon Torres, R.I.P.I was in a weird state of mind Monday night when I was trying to go to sleep. I just had this feeling like I was going to die. Oddly enough this happens to me occasionally, but I never die. The unfortunate side is that when I wake up I find out someone I know has died.

When I get up in the mornings I shower, eat my breakfast and look at the news and FaceBook to see who screwed up while I was sleeping. Tuesday morning was a bit different. I started to see post after post about a friend of mine I hadn’t seen in over 25 years. Jon Torres had died. Most of you will probably say so what? People die every day. Jon was a bit different. I knew Jon years ago when we were both just a couple of punk ass kids who wanted to be rockstars and tour the world. Cranking our guitars up to 11 like we were invincible and there was no tomorrow.

Well, like most of us we got older. Jon did better in the rockstar department than I did. I first saw him playing in a new band an old singer of ours started called Thunderhead. Jon just had this kind of angry look on stage because he was hungry to make it. Thunderhead got much if any press, but it was a stepping stone for Jon. He moved on to playing with a huge amount of bands in the San Francisco thrash scene. Heathen, Lääz Rockit [a band so heavy they needed two umlauts!], Ulysses Siren, Warning SF, Angel Witch, Slough Feg…did I leave any out?

Jon was known to everyone in the San Francisco thrash scene. He supported all the other bands by being at the shows. He would switch off between being a guitarist to a bassist if a band on the scene needed one. He was an understated guy in person, but on stage he was always a solid player. Jon was one of those guys who was just thrash metal to the core. My heart goes out to all his bandmates and friends over the years for his loss.

\mm/

[too much metal for one hand]

SideCar.banner

Robert “Fleetwood” Bowden of KPOO

Yesterday I was invited down to KPOO 85.9 FM radio to talk with Robert Bowden of the Fleetwood Report show. This was one bad dude. His Dad was king of heroin dealing in the Bay Area and he emulated his Dad and from the age of 12 spent the next 17 years of his life in and out of prison for pimping, drug dealing, you get the picture. This could have been a lot worse, but this is a guy who has turned his life around and now writes books about it and runs organizations to get ex cons back on their feet.

When I got there I sat in with him while he was doing a few voiceovers for his show which runs from 12pm-9pm Monday through Friday. I first saw him and he reached out and shook my hand and smiled at me and I kind of took the smile as one of those, I’m going to eat you alive type of things, but I realized after we sat down and talked that I totally got it wrong.

He’s actually a pretty good guy who’s written five books in addition to doing his radio show and is also reaching out to people though cable TV in many cities around the nation. He’s been at KPOO for about five years and has been out of jail since 1997. He runs a group call the homeboyhotline.org to help ex cons to keep from going back to jail. He told me that when you get released from jail you’re given $200 which will last you about 72 hours and then you’re back to doing what you did which ends up putting you back in jail again.

This is a guy who’s had a hard life and the fact that he could turn himself around and help other people who’ve gone through what he’s gone through and turn them into better people is a good thing in my book. I recorded my interview so what you hear it very raw, like he is and he didn’t hold back at all. I was glad that he did that because I’ve watched a bunch of the scared straight shows and this little chat did more to make me to want to keep myself straight than any TV show.

My main fascination was asking what it’s like to be on the inside. Again, he didn’t hold back. The food is awful, the guards are predators on the prisoners and their main goal is to break you down and destroy you. I could understand that if they were breaking down the bad side of you that caused you to be there, but it seemed more like they were breaking you down to destroy your self respect. Fleetwood managed to use spirituality to keep himself together. I don’t normally like to go in that direction, but Fleetwood was really speaking from his heart and he’s someone that isn’t a criminal anymore.

If you listen to the recording, please remember that while Fleetwood is talking from the heart, he will say something’s that will shock you, but he’s a good guy and he taught me a lot while I talked to him.

The State of Heavy Metal

My wife and I watched a TV show last night on a metal concert called Sonisphere in Knebworth England. I have to say while the show was decent we noticed a trend in the advertising during commercial breaks – erectile dysfunction, beds to reduce back pain, pills to make you feel young again and home insurance. Wow. Heavy Metal shows will soon have Depends advertising on them or maybe Metallica’s next tour will be sponsored by Preparation H or Metamucil.

Yes, the metal bands from the 80’s and 90’s are all approaching their 50’s and 60’s in age, but there are still a few in their late 30’s. Some have fared better than others. San Francisco was the epicenter to thrash metal in the 80’s and early 90’s before grunge pushed them underground. We had Metalica, Testament, Death Angel, Exodus, Laaz Rockit and that’s just off the top of my head. Apologies to my buds who I left out. Bands from out of town found San Francisco a must stop place to play. The Record Vault was where every metal band had to put in an appearance.

When out of town bands lost a member they usually turned to the San Francisco bands to find a replacement. Now we’re relegated to VH1 Classic. Classic rock was what you referred to bands who stopped recording albums and performed only reunion tours. The Rolling Stones first reunion tour was in 1975. That today is Classic Rock, not Slayer or Metallica.

I have noticed a few changes over the years in metal’s appearance and part of that has to do with the grunge movement. As the metal heads get older and their hair starts to thin, if you cut your long hair then you must grow facial hair. If you still have thinning long hair then you grow a goatee. If you shave your head then you need a ridiculous amount of facial hair [Scott Ian, Kerry King] Lemmy of Mötorhead is the only exception because he’s had the mutton chops and mustache since he was born. He eats nothing but red meat and potatoes and downs a fifth of Jack Daniels a day and his liver is still in perfect health and he doesn’t look a day older than he did in the 80’s.

If you have gray hair you either dye it [Joey Belladonna] or wear a beanie. Not the propeller head beanies, but a black one preferably with a skull and crossbones on it. Sadly there are few metal bands left in the San Francisco Bay Area. We have Metallica that’s usually off touring somewhere just like Death Angel who at least puts in a showing at the Haight Street Fair [special note, Will and Ted of Death Angel were in a band called Warfare D.C. I used to manage and the pre-Death Angel reunion group when they were the Organization I recorded their demo so I have to give them special props].

Heavy metal isn’t dead, but it isn’t growing the way it was pre-21st century. It’s mostly the same bands from the old days reforming. If you want to find new metal bands you have to look to Europe or more specifically Finland for new blood. That’s how things started  with the New Wave of British Heavy Metal in the 80’s so maybe by 2020 we’ll see something new pop up in the states and specifically San Francisco. We have lost a few from back in the day, but in most cases it’s not been from drugs, but cancer or some other failure of a body part. Yep, we’re getting older, but the advertisers don’t have to remind us every day.

I Got Punked.

I should have realized that it was posted on April 1st, but I didn’t take notice when I read an article on Metallica breaking up. I got punked. Metallica is one of the biggest metal bands and for them to break up would be huge. Sure, they don’t please everyone anymore. I still like the earlier albums, but then again, I used to roadie for them back in their club days.

No one has confirmed it was an April Fool’s joke, but I’m pretty certain at this point it is. I haven’t had any contact with any of the guys in years so I can’t say for sure, but I’m pretty sure it’s a joke. The actual story from ultimate-guitar.com stated the following:

Despite the recent talks of a new album and 3D movie, Metallica’s James Hetfield has officially announced that Metallica, the world’s biggest heavy metal band, has called it quits.

In an official statement from Hetfield on behalf of the entire group, Hetfield revealed the factors that contributed to this surprising decision: “We’ve been doing this for 30 years. At a certain point, we all realized we wanted to explore new territories musically. The project with Lou Reed [”Lulu”] seemed to awaken a desire to move onto new musical horizons. It’s come to that time; we can’t be Metallica anymore. But fear not, you’ll be hearing new music from each of us in the future.”

Plans for said musical projects from each band member remain speculative; however, each member of Metallica has announced tentative plans for what’s in store for them musically in the coming months.

Hetfield, admittedly inspired by his onstage reunion with former Metallica guitarist, Dave Mustaine, has expressed desire to start a new group with the Megadeth frontman. Commenting on this, Dave Mustaine says, “I’ll have to think about it.” No word yet on who would fill in the bass and drum slots. Hetfield has admitted to having a strong respect for keyboardist **** from Children of Bodom, which could be a possibility.

Lars Ulrich, when asked what he plans to do, expressed desires to work alongside Marylin Manson. “I’ve been drawn more to the artistic side of heavy metal – with a guy like Manson, I think I’ll be satisfied artistically. We’ve gotten together a few times and thrown some ideas around.”

Bassist Robert Trujillo has issued some rather undiplomatic statements, calling Lars a “tool” and Hetfield a “control freak.” Trujillo plans on returning to his previous band, Suicidal Tendencies.

This news comes as a surprise to fans eager to hear the follow up to their 2008 return-to-form album, “Death Magnetic.” Although the ill-fated album with the Velvet Underground’s Lou Reed seemed to foreshadow a mid-life crisis for the metal giants.

However, Lou Reed still remains in the Metallica circle; it is rumored that Metallica lead guitarist, Kirk Hammet, will team up with Reed for a concept album that explores the dynamic range of his favorite electric guitar effect- the wah pedal. “The wah pedal is pure expression, much like Lou Reed’s voice. Everything on the album – percussion, vocals, guitars, bass – will go through a wah pedal.”

We at UG are certainly surprised to hear of this news. Metallica will always be remembered as one of the most influential metal bands of all time. This is quite the way to begin the month of April…

Now I didn’t even know they made an album with Lou Reed and after checking it out on iTunes, I have to say that would have been an better April Fool’s joke. It just proved that Lou Reed is completely tone deaf. Death Magnetic was recorded too loud to the point that the whole album is distorted. I’m not really pissed about being punked by the announcement, only feeling dumb that I didn’t catch that it was posted on April 1st.

Exile In The Sunset: Now available on CD!

I just received my proof copy today of my new album and it looks great. Since I’ve approved it you can now purchase the album on iTunes or on CD now.

If you click on the final artwork picture to the left it will take you to the page where you can purchase a CD version. If you’re in San Francisco and can attend one of the meet ups I will personally autograph it for you.

There are two special tracks on the CD that I did to pay tribute to two people who have influenced me. Track 11 is called Satching with the Alien and is a tribute to my old guitar teacher you may have heard of before, Joe Satriani. The other is track 12, The Power and the Glory which is a tribute to Yngwie Malmsteen since he showed me how I could combine my classical music training with hard rock guitar.

This was a fun album to record and I think I’m getting better at playing all the instruments myself. There is more cohesiveness on this album than my last from three years ago and I like the fact that everything has clicked into place. While it might be another three years before my next album those of you who don’t know me know that I also compose and perform classical music. If you go to iTunes and drop my name into the search engine you’ll find a few more of my older albums there that have a bit of a Danny Elfman nod to them. Not Oingo Boingo Danny Elfman, but more Beetlejuice Danny Elfman.

In case you’re a bit on the lazy side and don’t want to scroll down on the side bar I’ve included the media player in here so you can try before you buy as I like to say. You can hear all the tracks and with a click or two you can purchase the ones you like from iTunes, but for the full CD be sure to click on the picture to take you to the page. I’d like to thank my old friend Derrold who gave me the idea for the title. While the title sounds nice it’s really a reference to the Sunset District of San Francisco which can on some days be almost as inhospitable as Antarctica, but I will always love it here.

*Sunset District People*

*Sunset District Incorporated*

[ad#AdBrite]

Exile In The Sunset

Well I finally finished everything up and I’m hoping by Monday that my new album will be available in iTunes. In the mean time you can listen to the album down below. There should be actual CD’s available within a month. If you like Joe Satriani and Yngwie Malmsteen you’ll probably like this album. If you don’t, well you may not, but that doesn’t matter to me.

I recorded the album myself in my home studio that I wrote an article about on my music website saundhaus that talks about how when I first graduated from college with my new degree in audio recording it would have cost me over $500,000 to have what I have today. Over time prices go down and now I think my entire studio cost me less than $5000.

I played all the instruments on this myself and created the artwork for the album and now I’m doing all the marketing myself. I don’t have time to put a band together and play live anymore, but I still have a need to make music. My hope is that at the very least people will like my music and purchase it. I’m kind of a nobody so there’s not going to be having a record release party at Amoeba Music, but I might try and get them to stock a few CD’s at least. When the CD is finished it will be available through my saundhaus website, amazon.com and supposedly Target as well.I have yet to find my previous CD at Target, but I still check every time I go. Enough of that though. It’s time to stop talking and start rocking. Enjoy!

Oh, and if you follow me on Twitter you’ll get a code as soon as the CD is out to get a 30% discount off the CD.

[ad#AdBrite]

New Album: Exile in the Sunset

Well, I spent my labor day weekend laboring and I’ve finally got enough songs to put out my next album. It is going to be called Exile in the Sunset because no matter where I go I always end up back in the fog and gloom of the Sunset District. This is another hard rock album that if the names Joe Satriani, Steve Vai, Yngwie Malmsteen and Stevie Ray Vaughn are names you know then you’ll want to check this one out, because they’ve all influenced me.

I’ve got thirteen songs this time and they cover the hard rock versions of blues, classical and just plain guitar wanking/shredding. Part of this is probably due to the fact that for awhile in the late 70’s/early 80’s I had a guitar teacher when I was a teenager who was Joe Satriani. He came out to San Francisco and with a band called the Squares and was teaching guitar to earn a few extra bucks. It was the best money I ever spent. Joe taught me how to move my fingers on the guitar as no other person could. He also taught me how to coordinate my two hands on the guitar to work together which took me awhile to figure out how to make two different parts of me do the exact same thing at the exact same time which made me play much cleaner.

I also have to thank my college professor, Dr. Robert Mortenson who taught me composition. Granted, it was from a classical background, but he taught me how to think about what the other instruments would and should be doing when you composed a piece of music.

Note that the picture isn’t the actual album cover, but more of a place holder for the actual cover that I’m working on right now. If you click on it you can get a free copy of a song on the album called Day in/Day Out. It’ll give you an idea of what the album will sound like. If you’re interested in my music you can find it in iTunes and you can purchase CD’s if you still believe in that ancient format can visit my website: wwww.saundhaus.com and actually purchase CD’s by clicking on the cover photo of the album. Not all of it is rock as I’ve got an odd Danny Elfman, orchestral composer side to me, but check it out. I hope you enjoy it!

Oh and last, but not least…HAPPY BIRTHDAY TO ME! I’m another year older, but I feel like a kid.

[ad#AdBrite]