Tag: Warfare D.C.

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Where has all the music gone?

San Francisco used to be THE place for live music. We had clubs all over the city that had bands playing their own music, not just house “cover bands” but music that would end up leading them somewhere. We used to have big clubs like Wolfgang’s and the Stone that were the center’s of the metal scene to some smaller clubs like Mabuhay Gardens that was the center for the punk scene. You had bluesy bands like Tommy Castro and Johnny Nitro playing down at some of the bigger bars on Fisherman’s Wharf with the occasional shot at one of the dive bars in North Beach.

Today? What happened? My friend Jimmy Arceneaux shared a video on facebook a few days ago that had me thinking about this. Jimmy was one of the guys who did the booking for the bands that played at the Stone, Keystone Berkeley, One Step Beyond in Oakland and for the life of me I can’t remember the name of the place in San Jose as well. All these places are gone today.

Broadway Street in San Francisco had 5-6 clubs mixed in with all the strip clubs that were running full strength through the 80’s – 90’s and now there’s nothing. There would be other clubs that would pop up for a few weeks or months and then fade away. Why was that?

Well, I can only blame two things. Industrial music and hip hop. Industrial music was kind of like heavy metal with sounds of machinery added in. It was very heavy and raw and at first the bands played live. Then as they go more technologically proficient it became pretty close to impossible to perform live what they did in the studio because the electronic equipment didn’t put on as much of a show as four guys in jeans or spandex and leather depending on which decade you’re looking at. Hip hop was a bit different in that they would record their CD and then do another mix down without the vocals so it was more like karaoke for an established band. The first time I had to do sound for a hip hop band called Aztlan Nation they handed me a cassette tape and told me, “play it”.

I didn’t know what to do so after the first song ended I stopped the tape and one of the guys runs over to me yelling, “just let it play!” OK, that’s an easy job for an engineer to do. Drop in the tape, press play, kick back and drink your beer. I didn’t really have any work to do anymore. The clubs didn’t have to worry about having the right or enough mics for the band. You just hit play and sat back. I think I finally walked off the side of the stage at some point because they didn’t need me anymore.

Eventually, this led to the “dance club” phase where bands had become kind of irrelevant. If you had enough space to pack in people and didn’t need to have a stage or a band to argue with over payment [which was rare] you could just give a DJ $50 to spin some records [remember those black 12″ things and no, I’m not referring to a porn film] and people would still come. It was somewhere in the 90’s that the live music clubs started to close or turn into “dance clubs” where you just had a DJ. Bands now had a tough time to make it.

You could fill out lots of paperwork and throw out some of your hard earned cash to get city permits to play a free gig in the park, but that started to get old quick when bands had to pay money to get people to hear their music. None of the DJ at the clubs played much if any of the unsigned acts at the clubs. Bands that used to play at the bigger clubs like the Stone or Wolfgang’s now were left with playing at very small bars like the Nightbreak on Haight St. and they were lucky to get a free beer for playing.

Live music will never die though. There are starting to be a few places popping back up for the bands to play again. Slim’s has come back from the dead and there’s the Avalon and Thee Parkside, but we still need places for live bands to play that have a capacity of more than 100 people. If you find some places other than little dive bars let me know because a lot of the old bands are coming back and there are new bands popping up that need a place to play.

So now I want all of you to step away from your computers on Friday and Saturday nights and go out and find some good live music and post comments about it here. Any upcoming shows you think people should know about, let me know and I’ll let everyone who reads this know about them.

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Heavy Metal Never Dies

After reading about Ozzy and Mötley Crüe and how they tried to kill themselves I thought it would be nice to have a book about Metal in San Francisco from it’s start in 1980 to where it is in present day.  So I’ve decided to write a book on the subject and have it self published.

What I need is to hear from the bands and people involved in the scene because there’s some parts that are a bit foggy for me and some that I missed out on. I want to do interviews for the book with the people who also pushed the scene along like Ron Quintana, Danny D and all of the others. Pics will help as well. I’m hoping you’ll all provide the words and stories that I missed out on, like the East Bay scene which I was only a peripheral member of, mostly seeing the bands when they came to play in San Francisco. Remember some of the old Waller house parties?

San Francisco was the spawning grounds for Thrash Metal that defined San Francisco as one of the big thrash metal scenes, so please contact me with information so I help all of us remember who was who back then.

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Why I’m Glad I’m Not a Touring Musician

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Ted Aguilar: Death Angel

Since music’s been on my brain a bit lately I  remembered a conversation I had with my old friend Ted Aguilar. He and Will Carrol were in a band I managed called Warfare D.C. in the 90’s. Now they’ve moved on and have joined Death Angel and are going around the world on tours. These are big tours as well. We’re talking the thousands of people at Wacken, Tuska, No Mercy, etc. I figured now that he’s in a band that’s opening for Metallica, Anthrax and other huge bands that he must be living large. Well, apparently the music business has changed a lot since i was involved with it outside my home studio.

You see in the old days we had what was called pay for play. That meant that they local club would give you say 100 tickets to sell for your show and you had to give them half the value of the tickets back. If you sold all the tickets you got to play. The problem was that a lot of new bands had to sell the tickets for half price just to move them. If you were a bigger band you might be able to sell for 3/4 of the price and make a little money. Hell, we even got Morty’s club to give us dinner and a 12 pack of beer. Those were the good ole days. If you were a signed act they’d just pay you because it made the club look better.

Well apparently when you get bigger you used to make a lot of money from the touring and that’s why some big bands toured so much. Now I wouldn’t put Death Angel on the same level as Metallica, but still they were pretty big in the 80’s and they’re getting bigger today. You won’t hear them on any local radio station, but they’re all over internet radio stations [I won’t get into my hatred of corporate radio now so consider yourself spared.]

Apparently today because it costs so much to fly the band and crew and lodging, etc. That the record labels and the venues aren’t paying the bands to play, but they’re letting them sell merchandise [i.e. t-shirts, patches and anything else they can think of.] From that is where they get the profit and it isn’t that great. So when these bands come home from a world tour they have to find real jobs like the rest of us just to pay the bills.

In the pay to play days you could sell your merchandise as well and come out even better. Now it just looks like the record companies and their falling apart business models are taking in out on the artists who are keeping them in their fine offices. Friends of mine have been pushing me to get a band together and start touring at least in California. I even have one fan in the “adult industry” who’s been begging me to play down south, but while tempting as it may sound to get to hangout and have pictures taken with porn stars, there would be just too much money involved to make it worth while. It might happen someday, but things have got to change big time. For now I’m just going to have to bang out my music in my house. Besides, I’m a real pain in the ass when I’m touring.